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    {展覽} 有一味「蜂蜜牛奶口味」

    {展覽} 有一味「蜂蜜牛奶口味」

    這是一篇冬日聖誕文。 怎樣一檔展覽就是該辦在咖啡廳,顯得渾然天成,而不是辦在美術館或藝廊呢? 在一個剛剛好既不悶熱也不顯太涼的12月傍晚,我到青田街上的一間咖啡館看華真老師的展,展名為「蜂蜜牛奶口味」。如許空間,可以是作家、哲學家或者詩人獨自放風的去處;可以是三五位好友一起...
    曠野的溫柔

    曠野的溫柔

    一、恩典之流 朋友說這裡太冷,長不出樹,只有一望無際的苔原。不同於踩在草地上的經驗,透過兩層橡膠鞋底傳來的觸感相對柔軟有彈性。我蹲著看著出神,蒼白的綠相織粉藍粉紫和暖粉紅,和諧卻活潑,像是文房堂的顏料。攝氏八度的七月天飄著細雨,瞇著薄霧,地熱由一處處的水窪上冒,凝結的煙是一...
    那些放在餅乾盒裡的小畫:寫在黃華真╳黃品玲展覽「I send You This Short Note」合作計畫之前

    那些放在餅乾盒裡的小畫:寫在黃華真╳黃品玲展覽「I send You This Short Note」合作計畫之前

    藝術家是為了同行,或者至少是為了可以理解他們的人而寫作。 ——巴貝多勒維利(Jules Barbey D’Aurevilly,註1) 2013年,即將到芬蘭當交換學生的黃華真,收到了當時在巴黎唸書的黃品玲捎來的一個小包裹,這個比一般信封大不了多少的包裹中,放著幾張比零號尺寸...
    波光粼粼漆 Glittering You

    波光粼粼漆 Glittering You

    An exhibition for knowing that we are the reason. #collaboration #christmas #taipei #installation #exhibition #goodnews
    浮生:北海現地藝術檔案

    浮生:北海現地藝術檔案

    An exhibition discusses how artists achieve works. had much fun. #installation #taipei #picnic #colorpocketbookproject #stories #exhibition
    韓國光州藝博會Art Gwangju 15

    韓國光州藝博會Art Gwangju 15

    非常廟藝文空間— 【Art Gwangju15韓國光州國際藝術博覽會】 展期:2015-09-02 ~ 2015-09-05 地點:KDJ Convention Center Hall 1, 2 (Sangmunuriro 30,...
    BENEATH THE SMOOTH SURFACE:
ON HUANG HUA-CHEN’S LATEST WORK

    BENEATH THE SMOOTH SURFACE: ON HUANG HUA-CHEN’S LATEST WORK

    “To be a good human being is to have a kind of openness to the world, an ability to trust certain things beyond your own control that can...
    在平滑的表面之下:關於黃華真的繪畫近作

    在平滑的表面之下:關於黃華真的繪畫近作

    成為一個良善的人意味著對世界保有某種程度的開放性,一種信任某些在你掌控之外的不確定事物的能力。這些不確定事物極有可能導致你在極端的情況下被徹底粉碎,某些不能歸咎於你的情況。這點出了人的道德生活條件裡某些相當重要的面向:意即它建立在對於不確定性的信任之上,也建立在願意暴露於危...
    The Real Words from a Confessor-A Talk of Huang Hua-Chen's "The Family Album"

    The Real Words from a Confessor-A Talk of Huang Hua-Chen's "The Family Album"

    Painting as a medium of communication always has an inherent distance. For me, this distance coincides with the corresponding...
    告白者的真實話語——談黃華真的「家庭相簿」

    告白者的真實話語——談黃華真的「家庭相簿」

    「繪畫作為一種傳達的媒介總是有著先天的距離,對我而言這個距離正好符合模型與對象的對應關係,我將對象的特徵去除,並且將情緒磨平,進行一種陌生化的處理;當中形象與回憶的碎片是四處蒐集或跟別人借來的。我希望可以創造一個家庭關係的模型,這個模型不具奇觀也不是百分百的美好,它平淡甚至...
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